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he Hunterfly Road Houses, located within what is now Crown Heights, Brooklyn, are among the most significant surviving physical links to 19th-century Black life in New York City. Constructed between approximately 1835 and 1850, these houses are the last remaining structures from the historic community of Weeksville, one of the earliest free Black settlements in the United States. At a time when slavery was still legal in New York State and racial discrimination was deeply entrenched, Weeksville emerged as a rare place where free Black Americans could own property, build institutions, and exercise political and social autonomy. Weeksville was home to educators, tradespeople, church leaders, journalists, and activists. The community supported its own schools, churches, and businesses, and it became a center for Black intellectual and civic life in the 19th century. Notably, Weeksville residents were able to meet the property ownership requirements that allowed Black men to vote in New York decades before universal suffrage. The Hunterfly Road Houses once stood along Hunterfly Road, a rural thoroughfare that connected the settlement to Brooklyn and Manhattan. As Brooklyn rapidly urbanized in the late 19th and early 20th centuries, nearly all of Weeksville was erased by development. By the mid-20th century, these four houses were the only remaining above-ground structures from the original community. Rediscovered in the 1960s by historians and community activists, the houses were saved from demolition and eventually became part of what is now the Weeksville Heritage Center. Today, they stand as rare, tangible evidence of Black resilience, self-determination, and community building in early America. Architecturally, the houses reflect modest 19th-century domestic construction, with wood framing, traditional sash windows, shutters, and hand-crafted exterior details. Their simplicity is part of their significance: these are not grand monuments, but everyday homes that tell a deeply American story of persistence, labor, and dignity. Preserving the Hunterfly Road Houses is not only an act of architectural conservation—it is an act of historical stewardship. Their survival allows present and future generations to engage directly with a foundational chapter of American history that is too often overlooked or erased.
Each window began with a careful assessment. Rotted components were removed, assemblies selectively disassembled, and all parts labeled and cataloged. This process revealed what could be preserved, what needed replacement, and how new work would be integrated into the original assembly.
To remain within budget, repairs were carefully balanced against replacement. In most cases, new work was integrated through targeted joinery and reproduction components, avoiding wholesale replacement of entire window assemblies wherever possible.
Most reproduction elements, along with much of the window and door work, were fabricated in our workshop. Working off-site allowed production to continue uninterrupted by weather or site conditions. Once complete, all components were transported to the site for final assembly and installation.
The most satisfying part. Once everything is assembled we finish everything, filling nail holes, final sanding, applying polyurethane caulking, and at last the painting.
Building 1700 was, without question, the most deteriorated of the four—and also the one with the greatest amount of original woodwork and structure still intact. However, there were many repairs that had been made over the years that probably did more harm than good.
Before restoration, the shutters were failing, window frames and lower sashes were heavily rotted, and nearly all window sills had deteriorated beyond serviceability. In many areas, the wood would crumble and disintegrate at the touch.
We went deep.
All shutters were repaired, all sashes restored, casings rebuilt, and new window sills fabricated. All new repair wood was milled in Accoya, selected for its durability, stability, and environmental performance. We also restored the building’s doors and fabricated a new hatch door for the cellar.
This building was in roughly the same condition as Building 1700, and it was the first structure we addressed on site.
As work progressed, it became clear that many of the project’s most persistent challenges would reveal themselves here first. Details that initially appeared straightforward required careful testing, adjustment, and refinement once materials were exposed and assemblies were taken apart.
Working through this building allowed us to develop and calibrate our restoration approach—testing repair methods, refining joinery details, and establishing practical solutions that balanced historical sensitivity with durability and performance. The experience gained during this phase directly informed the work on the remaining buildings, creating a more confident and consistent framework for the rest of the project.

Buildings 1706 and 1708 represent a later chapter in the life of the Hunterfly Road Houses.
The original structure was lost to a fire in the 1990s and subsequently rebuilt as a replica, intended to reflect the historic appearance of the earlier building. While the exterior form referenced the past, the materials and construction reflected a much more recent era.
During restoration work, it became evident that this building exhibited the highest degree of deterioration among the group. Compared to the older structures, the window assemblies showed extensive rot and material failure, to the extent that restoration was no longer a practical or responsible option. In many cases, the existing frames and sills lacked sufficient sound material to justify repair, and full replacement was required.
New window frames and sills were therefore fabricated using Accoya wood, selected for its dimensional stability, durability, and suitability for long-term exterior use. All components were custom-built in our workshop in Sunset Park and installed and finished on site, ensuring consistency, precision, and long-term performance in keeping with the demands of the project.
Building 1698 was the most recently occupied of the four structures, and at first glance its windows appeared to be in comparatively serviceable condition.
Based on their outward appearance, many of the windows were initially designated for refurbishment rather than full restoration. The intent was to stabilize existing components, address localized deterioration, and retain as much original material as possible.
Once work began, however, the true condition of the windows revealed itself. As paint layers were removed and assemblies were carefully disassembled, it became clear that decades of piecemeal repairs had left many of the windows structurally unsound. In several instances, earlier repairs were doing more to conceal failure than prevent it. Components that appeared intact were, in reality, barely holding together, and in some cases entire window assemblies began to collapse under their own weight once they were handled.
These discoveries required a fundamental reassessment of the scope of work. Rather than simple refurbishment, many windows demanded partial or full rebuilding in order to restore their structural integrity, operability, and long-term durability. Each intervention was approached with the goal of retaining original material wherever possible, while ensuring that the restored windows would perform reliably for decades to come.
The porch at Building 1698 was fully reimagined by CTA Architects NYC as part of a sensitive historic restoration.
Working from their design, we produced detailed 3D renderings and shop drawings to fully resolve the construction prior to fabrication (see below).
The porch structure was framed in pressure-treated lumber, while all visible architectural elements were fabricated in Accoya wood for durability and long-term performance. This included custom-made spindles, handrails, posts, brackets, and steps—each fabricated specifically for the project and installed to align with the historic character of the building.